1915 Lindsay

From Vachel Lindsay The Congo and Other Poems, 1915 (1914), reprinted by Dover: NY 1992.

The Santa-Fe Trail

(A Humoresque)

I asked an old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark or thrush, or the like?" "No. Jus' Rachel-Jane."

I. In Which a Racing Auto Comes from the East

This is the order of the music of the morning:-      To be sung delicately, to

First, from the far East comes a crooning.                an improvised tune.

The crooning turns to a sunrise singing.

Hark to the calm-horn, balm-horn, psalm-horn.

Hark to the faint-horn, quaint-horn, saint-horn . . .

Hark to the pace-horn, chase-horn, race-horn.         To be sung or read

And the holy veil of the dawn has gone.                  with great speed.

Swiftly the brazen car comes on.

It burns the East as the sunrise burns.

I see great flashes where the far trail turns.

Its eyes are lamps like the eyes of dragons.

It drinks gasoline from big red flagons.

Butting through the delicate mists of the morning,

It comes like lightning, goes past roaring.

It will hail all the wind-mills, taunting, ringing,

Dodge the cyclones,

Count the milestones,

On through the ranges the prairie-dog tills-

Scooting past the cattle on the thousand hills . . .

Ho for the tear-horn, scare-horn, dare-horn,         To be read or sung in

Ho for the gay-horn, bark-horn, bay-horn.             a rolling bass with

Ho for Kansas, land that restores us                   some deliberation.

When houses choke us, and great books bore us!

Sunrise Kansas, harvester's Kansas,

A million men have found you before us.

II. In Which Many Autos Pass Westward

I want live things in their pride to remain.            In an even,deliberate,

I will not kill one grasshopper vain                    narrative manner.

Though he eats a hole in my shirt like a door.

I let him out, give him one chance more.

Perhaps, while he gnaws my hat in his whim,

Grasshopper lyrics occur to him.

I am a tramp by the long trail's border,

Given to squalor, rags and disorder.

I nap and amble and yawn and look,

Write fool-thoughts in my grubby book,

Recite to the children, explore at my ease,

Work when I work, beg when I please,

Give crank-drawings, that make folks stare

To the half-grown boys in the sunset glare,

And get me a place to sleep in the hay

At the end of a live-and-let-live day.

I find in the stubble of the new-cut weeds

A whisper and a feasting, all one needs:

The whisper of strawberries, white and red

Here where the new-cut weeds lie dead.

But I would not walk all alone till I die

Without some life-drunk horns going by.

Up round this apple-earth they come

Blasting the whispers of the morning dumb:-

Cars in a plain realistic row.

And fair dreams fade

When the raw horns blow.

On each snapping pennant

A big black name:-

The careering city

Whence earch car came.

They tour from Memphis, Atlanta, Savannah,            Like a train-caller

Tallahassee and Texarcana.                           in a Union Depot.

They tour from St. Louis, Columbus, Manistee,

They tour from Peoria, Davenport, Kankakee.

Cars from Concord, Niagra, Boston,

Cars from Topeka, Emporia, and Austin.

Cars from Chicago, Hannibal, Cairo,

Cars from Alton, Oswego, Toledo.

Cars from Buffalo, Kokomo, Delphi,

Cars from Lodi, Carmi, Loami.

Ho for Kansas, land that restores us

When houses choke us, and great books bore us!

While I watch the highroad

And look at the sky,

While I watch the clouds in amazing grandeur

Roll their legions without rain

Over the blistering Kansas plain-

While I sit by the milestone

And watch the sky,

The United States

Goes by.

Listen to the iron-horns, ripping, racking.         To be given very harshly,

Listen to the quack-horns, slack and clacking.             with a snapping,

Way down the road, trilling like a toad.                   explosiveness.

Here comes the dice-horn, here comes the vice-horn,

Here comes the snarl-horn, brawl-horn, lewd-horn,

Followed by the prude-horn, bleak and squeaking:-

(Some of them from Kansas, some of them from Kansas.)

Here comes the hod-horn, plod-horn, sod-horn,

Nevermore-to-roam-horn, loam-horn, home-horn.

(Some of them from Kansas, some of them from Kansas.)

Far away the Rachel-Jane                  To be read or sung,

Not defeated by the horns              well-nigh in a whisper.

Sings amid a hedge of thorns:-

"Love and life,

Eternal youth-

Sweet, sweet, sweet, sweet,

Dew and glory,

Love and truth,

Sweet, sweet, sweet, sweet."

WHILE SMOKE-BLACK FREIGHTS ON THE DOUBLE-         Louder and louder,

TRACKED RAILROAD,                                faster and faster.

DRIVEN AS THOUGH BY THE FOUL-FIEND'S OX-

GOAD,

SCREAMINGI TO THE WEST COAST, SCREAMING TO

THE EAST,

CARRY OFF A HARVEST, BRING BACK A FEAST,

HARVESTING MACHINERY AND HARNESS FOR THE

BEAST.

THE HAND-CARS WHIZ, AND RATTLE ON THE RAILS,

THE SUNLIGHT FLASHES ON THE TIN DINNER-PAILS

And then, in an instant,                         In a rolling bass, with

Ye modern men,                              increasing deliberation

Beheld the procession once again,

Listen to the iron-horns, ripping, racking,                With a snapping

Listen to the wise-horn, desperate-to-advise horn,          explosiveness.

Listen to the fast-horn, kill-horn, blast-horn . . .

Far away the Rachel-                    To be be sung or read

Not defeated by the horns              well-nigh in a whisper

Sings amid a hedge of thorns:-

Love and life,

Eternal youth,

Sweet, sweet, sweet, sweet,

Dew and glory,

Love and truth.

Sweet, sweet, sweet, sweet.

The mufflers open on a score of cars                To be brawled in the

With a wonderful thunder,                   beginning with a snapping

CRACK, CRACK, CRACK,                        explosiveness, ending in

CRACK-CRACK, CRACK-CRACK,                      a languorous chant.

CRACK-CRACK-CRACK, . . .

Listen to the gold-horn . . .

Old-horn . . .

Cold-horn . . .

And all of the tunes, till the night comes down

On hay-stack, and ant-hill, and wind-bitten town.

Then far in the west, as in the beginning,              To be sung to exactly

Dim in the distance, sweet in retreating,               the same whispered

Hark to the faint-horn, quaint-horn, saint-horn,        tune as the first five

Hark to the calm-horn, balm-horn, psalm-horn . . .       lines.

They are hunting the goals that they understand:-         This section

San Francisco and the brown sea-sand.              beginning sonorously,

My goal is the mystery the beggars win.                 ending in a

I am caught in the web the night-winds spin.           languorous whisper.

The edge of the wheat-ridge speaks to me.

I talk with the leaves of the mulberry tree.

And now I hear, as I sit all alone

In the dusk, by another big Santa-Fe stone,

The souls of the tall corn gathering round

And the gay little souls of the grass in the ground.

Listen to the tale the cotton-wood tells.

Listen to the wind-mills, singing o'er the wells.

Listen to the whistling flutes without price

Of myriad prophets out of paradise.

Harken to the wonder

That the night-air carries . . .

Listen . . . to . . . the . . . whisper . . .

Of . . . the . . . prairie . . . fairies

Singing o'er the fairy plain:-         To the same whispered tune

"Sweet, sweet, sweet, sweet.            as the Rachel-Jane song-

Love and glory,                          but very slowly.

Stars and rain,

Sweet, sweet, sweet, sweet . . ."

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 Kelyn Roberts 2017